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P. Marciset, L'intuition de l'infini ou les imaginaires de la finitude, d'Ernst Cassirer à Hans Blumenberg, BAP 21 (2025), 3. Voir

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    R. Matthew Shockey
    Heidegger's Anxiety: On the Role of Mood in Phenomenological Method
    Volume 12 (2016), Numéro 1, p. 1-27
    https://doi.org/10.25518/1782-2041.802

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    Abstract: Heidegger’s early project aims to articulate the form of our being as Dasein, and he says that for this usually hidden form to become accessible, a certain kind of “mood” is required of the philosopher. This “ground-mood” he identifies in Sein und Zeit as anxiety. He also, however, presents anxiety as a mood anyone, philosopher or not, experiences when there is some significant breakdown in the living of her life. I argue here that there are largely unrecognized problems with this conflation of methodological and “existential” moods, but that there is nevertheless a compelling methodological account of anxiety that can be teased apart from the existentialist one: methodologically understood, anxiety is a self-affected state of the ontologist, one that results from her asking ontological questions of herself, and, by imagining crisis or breakdown, withdrawing from her determinate situation to a position where she can see the form of her own activity as questioner and imaginer. I draw out some consequences this has for how we should understand the place of ontological understanding in living one’s life, and I conclude by briefly showing how my reading helps us see Heidegger as developing key elements in the work of Descartes and Kant.

    Mots-clefs: Heidegger.

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